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Bollywood in the 1970's / 80's
Bollywood By 1970, Hindi cinema was thematically stagnant and dominated by musical romance films . The arrival of screenwriting duo Salim-Javed ( Salim Khan and Javed Akhtar ) was a paradigm shift, revitalizing the industry. They began the genre of gritty, violent, Bombay underworld crime films early in the decade with films such as Zanjeer (1973) and Deewaar (1975). Salim- Javed reinterpreted the rural themes of Mehboob Khan 's Mother India (1957) and Dilip Kumar 's Gunga Jumna (1961) in a contemporary urban context, reflecting the socio-economic and socio-political climate of 1970s India and channeling mass discontent, disillusionment and the unprecedented growth of slums with anti-establishment themes and those involving urban poverty, corruption and crime. Their "angry young m...
FILM STUDIES COURSEWORK The Babadook At the start of the film, it fades in and out from the scene. It fades to darkness and then fade back to the scene. The main character is shown at the start. We see that she is in a car crash and is in distress. The fading implies that the woman is having a life or death situation and is literally fading into darkness. The first sequence is almost all darkness. It is hard to make out anything that is in the scene. This could imply that there is something there that the audience and the main characters can't see. There could be something in the darkness watching them. The main character's hair is messy and dirty, this instantly shows us that something bad is happening and this is not a normal situation. It also shows that she is distressed and anxious. The opening sequence is set inside the main characters old house, this makes it more eerie and adds more of a scary effect. The Conjuring We see classic conventions of a horror film in the...
OMG THAT IS ACTUALLY SOOOOOO EPIC DUDE TEACH ME UR WAYS!!!!!!!!
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